2014
Photoluminescence vinyl, fluorescent lights, strobe lights, reflective fabric, yellow fluorescent vinyl, PVC, sound system;
Dimensions variable
“[..] In the show, Rodeh highlights the trialectical manipulation of space, sound, and light, as seen from the other side of the clubbing culture. Clubbing has never been as regulated and approved by authorities as today. In its original form, it is an act of defiance. An act of battling oversight. From the original Berlin ballrooms, through rave parties, through the darkened cellars of Techno, the clubbing experience of opposition and freedom, of release, is only complete when the darkness transforms to the blindness of daylight.“ —Gilly Karjevsky
Original music: Rødhåd (Künstlerhaus Bethanien), Dj OneFinger (Herzliya Museum of Contemporary Art)
Documentation Künstlerhaus Bethanien: Sam Smith, Herzliya Museum: Shaxaf Haber
The shows were made possible with the support of Artis, the Israeli Ministry of Foreign Affairs, and the Herzliya Museums friends.
2014
Photoluminescence vinyl, fluorescent lights, strobe lights, reflective fabric, yellow fluorescent vinyl, PVC, sound system;
Dimensions variable
“[..] In the show, Rodeh highlights the trialectical manipulation of space, sound, and light, as seen from the other side of the clubbing culture. Clubbing has never been as regulated and approved by authorities as today. In its original form, it is an act of defiance. An act of battling oversight. From the original Berlin ballrooms, through rave parties, through the darkened cellars of Techno, the clubbing experience of opposition and freedom, of release, is only complete when the darkness transforms to the blindness of daylight.“ —Gilly Karjevsky
Original music: Rødhåd (Künstlerhaus Bethanien), Dj OneFinger (Herzliya Museum of Contemporary Art)
Documentation Künstlerhaus Bethanien: Sam Smith, Herzliya Museum: Shaxaf Haber
The shows were made possible with the support of Artis, the Israeli Ministry of Foreign Affairs, and the Herzliya Museums friends.