2013
Sound and light installation at the Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum of Art, 2013
In the darkened -1 floor of the Helena Rubinstein Pavilion of Contemporary Art, Tel Aviv Museum, Rodeh installed a low and wide chess-patterned wooden stage, with a reflective pleated curtain located at its far end. A tuba adaptation of Erik Satie’s 1888 popular composition Gymnopédie #1, originally composed for piano, emanates from the loudspeakers set into the floor, synchronized with changing lights. The result is harmonious and disharmonious, transforming the familiar into the unusual and creating a sense of expansion into a fantastic cinematic dimension.
Plywood, laminate, reflective fabric, lights
5 min in loop, adaptation of Gymnopédie by Erik Satie, 1888
Dimensions variable
Curator: Hadas Maor
Tuba: Yuval (Tubi) Zolotov
Musical production: Kalbata
Documentation: Tal Nisim
The work was made possible with additional support from Outset Israel.
2013
Sound and light installation at the Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum of Art, 2013
In the darkened -1 floor of the Helena Rubinstein Pavilion of Contemporary Art, Tel Aviv Museum, Rodeh installed a low and wide chess-patterned wooden stage, with a reflective pleated curtain located at its far end. A tuba adaptation of Erik Satie’s 1888 popular composition Gymnopédie #1, originally composed for piano, emanates from the loudspeakers set into the floor, synchronized with changing lights. The result is harmonious and disharmonious, transforming the familiar into the unusual and creating a sense of expansion into a fantastic cinematic dimension.
Plywood, laminate, reflective fabric, lights
5 min in loop, adaptation of Gymnopédie by Erik Satie, 1888
Dimensions variable
Curator: Hadas Maor
Tuba: Yuval (Tubi) Zolotov
Musical production: Kalbata
Documentation: Tal Nisim
The work was made possible with additional support from Outset Israel.