Alona Rodeh is a visual artist based in Berlin and Tel Aviv. Large-scale, often room-spanning installations that combine light, movement and sound are at the core of her artistic practice. Her meta-project Safe and Sound (2014–ongoing) explores histories of off-the-shelf reflective, phosphorus and illumination technologies. 

 

REPRESENTATION 

Christine König Galerie, Vienna 

Rosenfeld Gallery, Tel Aviv

 

STUDIO Putbusserstrasse 22, 13355 Berlin

Atelierbüro im Kulturwerk des bbk Berlin

 

WRITE info@alonarodeh.com

TECH, SOUND, LIGHT PARTNER Rachid Moro

DAILY ON Instagram

Selected Solo shows/large-scale

Selected group shows

2020

UPCOMING OCTOBER In Dreams, Ashdod Art Museum

Wilds Ago: Phantoms of Youth from the Haaretz Collection, Tel Aviv

2019

Murals, the Israeli Center for Digital Art

In the Spotlight of the Night: Life in the Gloom, Marta Herford

In the Spotlight of the Night: Cities never Sleep, KAI10 I Arthena Foundation Düsseldorf

2018

Ray Tracing, Galeria Propaganda, Warsaw

To the Moon and Back, screenings: ZK/U Berlin and Berlin Independent Film Festival

2017

Playing Hide and Law, Tranzit/SK, Bratislava

2016

Fear of Silence — Sirens for Dummies: Transmediale festival and Sonic Somatic Festival, Florence

The Analogy Between Bulbs and Buds – A Sculpture Garden, Botanischer Volkspark Berlin

2015

Back To Berlin, Herzliya Museum of Art

The Crystal Palace and the Temple of Doom, Petach Tikva Museum of Art

Emergency Measures, Dallas Power Station

2014

The Artists, performance, Zach?ta National Gallery, Warsaw

VideoRover Season 8, NURTUREART, AC Institute, NY

Chicago Triangle, Haifa Museum of Art

Installation View, Nassauischer Kunstverein, Wiesbaden

2013

Go Get Your Knives, Galerie Salon Akademii, Warsaw

Under the Weather, Hezi Cohen Gallery, Tel Aviv

2012

Deviants, The Israeli Center for Digital Art, Holon

Revisiting Rockefeller, Rockefeller Archeological Museum, Jerusalem

Black Eurhythmics, performance, IKT congress, CCA Tel Aviv and Israel Museum, Jerusalem

2011

Chewing the Scenery, performance offsite Swiss Pavilion 54th Venice Biennial

Dont Try, Hezi Cohen Gallery, Tel Aviv

End of History, Künstlerhaus Speckstraße and Kutscherhäuser, Hamburg

Shesh Besh, Petach Tikva Museum of Art

On the Road to Nowhere, Ashdod Museum

2010

Weizmann Rally, the Israeli Center for Digital Art, Holon

Manimal, Herzliya Museum of Contemporary Art

#1, Yaffo 23 Jerusalem

2007

I believe, 1st Herzliya Biennial, Herzliya

2006

The 6th International Biennial for Contemporary Music, Tel Aviv Museum of Art

Grants/Prizes

2020

Research stipend, Berlin Senate for Culture and Europe

2019

Exhibition funding, Stiftung Kunstfonds

Travel funding, Berlin Senate for Culture and Europe

2017, 2014, 2013

Project funding, Israel Lottery Council for Culture and Arts

2017

Project funding, Berlin Senate of Culture and Europe

2014, 2012

Exhibition funding, Artis

2013, 2010, 2008

Project funding, Rabinovich Foundation

2013, 2012

Exhibition funding, Outset Israel

2013

Project funding, Ostrovsky Family Fund

2011

Young Artist Prize, the Israeli Ministry of Culture and Sport

2009

Artist-Teacher Scholarship, the Israeli Ministry of Culture and Sport

Residencies

2019

Making Futures, Haus der Statistik Berlin

2016-2017

KUNSTrePUBLIK and ZK/U Artist Dis-Placement residency, The Berlin Fire Brigade

2017

Nordisk Kunstnarsenter Dale, Norway

2013-2014

Künstlerhaus Bethanien, Berlin

2012

The Austrian Federal Ministry for Education Arts and Culture, Vienna

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Interview by Henry Robert on the subject of DARK AGES 2020 on Happening Media
  Interview by Henry Robert on the subject of DARK AGES 2020 on Happening Media
The Jester is the cover art for Mark's Integriert Euch Nicht 12" EP on Ostgut Ton Unterton release date April 12th
  The Jester is the cover art for Mark's Integriert Euch Nicht 12" EP on Ostgut Ton Unterton release date April 12th